“There’s something fascinating about being part of something that’s physically built. And you can touch and feel when the end product is complete. There’s a buzz that you can get out of that that you can’t get in many other industries.” Larisa Moran is chief operating officer at Woods Bagot, and discusses her role with AR.
You’ll have no doubt noticed some profound changes to the magazine. From now on it will have a primary focus on business – with articles, interviews and opinion pieces that will help architects in the complex everyday task of running their practices.
The price for public artwork is often high, but if a council, investor or developer makes the right decision, it can be the drawcard that leads to significant economic gains. In AR144, Fenella Kernebone investigates the role that public art plays and how it can become a destination in its own right.
“From a distance the building appears to ripple and bulge, while close-up the individual apartments become legible. The undulating form has a performative effect by minimising the wind downdraft at street level.” AR magazine talks to Caleb Smith of Elenberg Fraser about the studio's golden tower, Abode318.